While reading The
Futurological Congress, I was eerily reminded of I, Robot in that our idea of normalcy is challenged. Like I, Robot, Ijon Tichy enters a world in
which humans are not the masters of themselves but rather slaves to their own
creations. Tichy’s hallucinations portray many future fears for the human race,
including overpopulation, running out of resources and space, as well as the
effects of drug use in an attempt to fix (or cover up) these problems. I found
Tichy’s world before his hallucinations alarming as well. The use of violence
as a common occurrence illustrates the beginning of humanity’s collapse. Tichy
describes a violent shooting saying, “sight of a man at your side crumpling to
the floor under heavy fire is not among the most pleasant” (Stainslaw, 2). The indifference
with which Tichy describes this death shows that he is a part of the problem.
However, he is given the chance to solve these world problems when he wakes up
in the sewer on the second day of the Congress. This is a common storyline that
Stainslaw follows; the protagonist, after a series of unfortunate events, is
given another chance to right his wrongs. (The most relevant example might be the
movie Click). In any case, after
reawaking from his drugged stupor, Tichy realizes the importance of reversing the
current situation. As “the manuscript slipped from his hands, hit the dark
water with a splash, and floated away,” Tichy and the rest of the futurologists
usher in a new era, one that hopefully will differ significantly from Tichy’s
hallucination (58).
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